Kamisado is an abstract strategy board game for two players that's played on an 8x8 multicoloured board. Each player controls a set of eight octagonal...
Kamisado is an abstract strategy board game for two players that's played on an 8x8 multicoloured board. Each player controls a set of eight octagonal dragon tower pieces. Each player's set of dragon towers contains a tower to match each of the colours that appear on the squares of the board (i.e., a brown tower, a green tower, etc.). One player's towers have gold dragons mounted on the top, while the other player's towers are topped with black dragons.
In an interview, designer Peter Burley said that the design of Kamisado dated back to a chance observation in a men's room in the 1970s. "I noticed that the floor had an interesting pattern of small colored tiles", he said. "I mentally made a note that this could possibly be used as a basis for a board game – this is something that I do quite a lot, whenever I see something a bit different. It must have made a deep impression on this occasion, however, because that night I had a vivid dream involving this tile pattern, and somehow the notion of 'whatever colour you land on, your opponent must move a piece that matches this'. I guess my subconscious mind had been working on this and sorted it out while I was asleep."
The players’ towers start the game on the row nearest to them. The players take turns moving one tower any number of spaces in a straight line, either directly forwards or diagonally forwards, but not into or through a square already containing another dragon tower.
The player with the black dragons moves first and may choose any tower. From this point onwards, each player must move the dragon tower that matches the colour of the square that the opponent's last move finished on. The object of the game is to reach your opponent's Home Row with one of your dragon towers. The first player to achieve this goal is the winner of the round.
Games may be played as single rounds, or as more advanced ‘Match’ formats. Matches are played up to 3 points (Standard Match), 7 points (Long Match) or 15 points (Marathon Match). During a match, each time a round is won, a special ‘Sumo Ring’ is added to the dragon tower that has fought its way through to the opponent's Home Row. The sumo rings provide the scoring system for the game, and also endow special powers to the dragon towers that carry them. These towers are known as Sumo towers and have the ability to push opponent's towers back one space, by using a move known as a ‘Sumo Push’.
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RITHMOMACHY
Rithmomachy (or Rithmomachia, also Arithmomachia, Rythmomachy, Rhythmomachy, or several other variants; sometimes known as The Philosophers' Game) is...
Rithmomachy (or Rithmomachia, also Arithmomachia, Rythmomachy, Rhythmomachy, or several other variants; sometimes known as The Philosophers' Game) is a highly complex, early European mathematical board game. The earliest known description of it dates from the eleventh century. A literal translation of the name is "The Battle of the Numbers". The game is much like chess, except most methods of capture depend on the numbers inscribed on each piece.
It has been argued that between the twelfth and sixteenth centuries, "rithmomachia served as a practical exemplar for teaching the contemplative values of Boethian mathematical philosophy, which emphasized the natural harmony and perfection of number and proportion. The game, Moyer argues, was used both as a mnemonic drill for the study of Boethian number theory and, more importantly, as a vehicle for moral education, by reminding players of the mathematical harmony of creation."
Very little, if anything, is known about the origin of the game. Medieval writers attributed it to Pythagoras, but no trace of it has been discovered in Greek literature, and the earliest mention of it is from the time of Hermannus Contractus (1013–1054).
The name, which appears in a variety of forms, points to a Greek origin, the more so because Greek was little known at the time when the game first appeared in literature. Based upon the Greek theory of numbers, and having a Greek name, it is still speculated by some that the game originated in Greek civilization, perhaps in the later schools of Byzantium or Alexandria.
The first written evidence of Rithmomachia dates to around 1030, when a monk named Asilo created a game that illustrated the number theory of Boëthius' De institutione arithmetica, for the students of monastery schools. The rules of the game were improved shortly thereafter by another monk, Hermannus Contractus from Reichenau, and in the school of Liège. In the following centuries, Rithmomachia spread quickly through schools and monasteries in the southern parts of Germany and France. It was used mainly as a teaching aid, but gradually intellectuals started to play it for pleasure. In the 13th century Rithmomachia came to England, where famous mathematician Thomas Bradwardine wrote a text about it. Even Roger Bacon recommended Rithmomachia to his students, while Sir Thomas More let the inhabitants of the fictitious Utopia play it for recreation.
The game was well enough known as to justify printed treatises in Latin, French, Italian, and German, in the sixteenth century, and to have public advertisements of the sale of the board and pieces under the shadow of the old Sorbonne.
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