GIPF VS KAMISADO

GIPF is an abstract strategy board game by Kris Burm, the first of six games in his series of games called the GIPF Project. GIPF was recommended by Spiel des Jahres in 1998. Players take turns pushing tokens (one player taking black, the other white) from the edge of the tri-gridded, hexagonal board, with pieces already in play pushed in front of the new placements rather than allowing more than one piece on any space. The game is lost if a player has no more tokens to play, and since each starts with a set number of tokens, it is clearly necessary to recycle pieces already positioned to keep playing. This is achieved by contriving to line up four pieces of the same colour in a row on the board, at which point those tokens are returned to their owner, and any opposing tokens extending from the line of four are captured. Because a single player will often move several pieces and change numerous on-board relationships, it is remarkably difficult to predict the state of the board more than one turn ahead, despite GIPF being a game of perfect information. Play tends to be highly fluid and there is no real concept of long term territorial or spatial development. The game can be expanded with extra pieces (available separately) called Potentials, which allow different kinds of moves to be made. These are named for the other games in the GIPF Project, though the other games are not actually necessary in order to utilise the Potentials named after them.

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Kamisado is an abstract strategy board game for two players that's played on an 8x8 multicoloured board. Each player controls a set of eight octagonal dragon tower pieces. Each player's set of dragon towers contains a tower to match each of the colours that appear on the squares of the board (i.e., a brown tower, a green tower, etc.). One player's towers have gold dragons mounted on the top, while the other player's towers are topped with black dragons. In an interview, designer Peter Burley said that the design of Kamisado dated back to a chance observation in a men's room in the 1970s. "I noticed that the floor had an interesting pattern of small colored tiles", he said. "I mentally made a note that this could possibly be used as a basis for a board game – this is something that I do quite a lot, whenever I see something a bit different. It must have made a deep impression on this occasion, however, because that night I had a vivid dream involving this tile pattern, and somehow the notion of 'whatever colour you land on, your opponent must move a piece that matches this'. I guess my subconscious mind had been working on this and sorted it out while I was asleep." The players’ towers start the game on the row nearest to them. The players take turns moving one tower any number of spaces in a straight line, either directly forwards or diagonally forwards, but not into or through a square already containing another dragon tower. The player with the black dragons moves first and may choose any tower. From this point onwards, each player must move the dragon tower that matches the colour of the square that the opponent's last move finished on. The object of the game is to reach your opponent's Home Row with one of your dragon towers. The first player to achieve this goal is the winner of the round. Games may be played as single rounds, or as more advanced ‘Match’ formats. Matches are played up to 3 points (Standard Match), 7 points (Long Match) or 15 points (Marathon Match). During a match, each time a round is won, a special ‘Sumo Ring’ is added to the dragon tower that has fought its way through to the opponent's Home Row. The sumo rings provide the scoring system for the game, and also endow special powers to the dragon towers that carry them. These towers are known as Sumo towers and have the ability to push opponent's towers back one space, by using a move known as a ‘Sumo Push’.

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