Latin pop (Spanish and Portuguese: Pop latino) is a pop music subgenre that is a fusion of United States–style music production with Latin music genre...
Latin pop (Spanish and Portuguese: Pop latino) is a pop music subgenre that is a fusion of United States–style music production with Latin music genres from anywhere in Latin America.[1] Originating in Spanish-speaking musicians,[2] Latin pop may also be made by musicians in Portuguese and the various Latin Creole languages. Latin pop usually combines upbeat Latin music with American pop music.[3] Latin pop is commonly associated with Spanish-language pop, rock, and dance music.
Latin pop is one of the most popular Latin music genres today. However, before the arrival of artists like Alejandro Sanz, Thalía, Luis Miguel, Selena, Paulina Rubio, Shakira, Ricky Martin, Gloria Trevi and Enrique Iglesias, Latin pop first reached a global audience through the work of bandleader Sergio Mendes in the mid-1960s;[5] in later decades, it was defined by the romantic ballads that legendary artists such as Julio Iglesias or Roberto Carlos produced in the 1970s.[6] Ricky Martin is regarded as the King of Latin Pop.
Latin pop became the most popular form of Latin music in the United States during the 1980s and 1990s, with acts such as Puerto Rican boyband Menudo, even achieving massive crossover success among non-Latino listeners during the late 1990s. While not restricted to America by any means, Latin pop was profoundly affected by production techniques and other styles of music — both Latin and otherwise — that originated primarily in the United States. Tejano music, centered in Texas and the U.S./Mexico border region, had begun to introduce synthesizers, slicker production, and a more urban sensibility to formerly root styles like norteño and conjunto.
Thalía Mexican singer referred to as the "Queen of Latin Pop".
Moreover, New York and Miami were home to thriving Latin club scenes, which during the 1980s led to the rise of Latin freestyle, a club-oriented dance music that was rooted in Latin rhythms but relied on synthesizers and drum machines for most of its arrangements. Both of these sounds influenced the rise of Latin pop, which retained Latin rhythms in its uptempo numbers but relied more on mainstream pop for its melodic sense.
Latin pop's first major crossover star was Gloria Estefan, who scored a succession of non-club-oriented dance-pop hits during the mid- to late 1980s, but eventually became known more as an adult contemporary diva with an affinity for sweeping ballads. This blend of Latinized dance-pop and adult contemporary balladeering dominated Latin pop through the 1990s. Most of its artists sang in Spanish for Latino audiences, although Latin pop's similarity to the mainstream helped several performers score crossover hits when they chose to record in English. Jon Secada landed several pop hits during the mid-1990s, and Tejano pop star Selena's album Dreaming of You actually debuted posthumously at number one on the album charts upon its 1995 release.[1]
The late 90s and early 2000s saw Latin artists such as Ricky Martin, Enrique Iglesias, Shakira, Jennifer Lopez and ex-husband Marc Anthony, Paulina Rubio, Jade Esteban Estrada, Thalía, among others, achieve crossover mainstream success. Other traditionally pop artists also made forays into Latin pop either finding success experimenting with the sound, such as Debelah Morgan and 98 Degrees, or recording Spanish versions of their songs or albums, such as Christina Aguilera and Jessica Simpson, to name a few.
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Rock en español
Rock en español (Spanish for '"Spanish-language rock"') is a term used widely in the English-speaking world to refer any kind of rock music featuring...
Rock en español (Spanish for '"Spanish-language rock"') is a term used widely in the English-speaking world to refer any kind of rock music featuring Spanish vocals. Unlike English-speaking bands, very few acts reached worldwide success and often not even between different Spanish-speaking countries due to a lack of promotion. Despite rock en español 's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some rock en español artists did become internationally popular with the help of a promotional campaign from the mid 1980s to the mid 1990s called "Rock en tu idioma" ("Rock in your language"). Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are Latin rock, a fusion of rock music with Latin American and Caribbean folkloric sounds developed in Latino communities; Latin alternative, an alternative rock scene which blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or Andalusian rock, a flamenco-influenced style that emerged in Spain.
Spanish-speaking rock music began in the late-1950s, through listening to performers like Elvis Presley, Buddy Holly and Bill Haley, who popularized rockabilly in the United States. The song "El relojito" by Gloria Ríos released in 1956 is often considered the blueprint of rock en español. In 1958, Ritchie Valens covered the Mexican folk song "La Bamba", popularizing Spanish-language rock music throughout Latin America. That year, Daniel Flores performed his hit song "Tequila", which reached nº1 in Billboard charts.
The new sound immediately caught the attention of the middle and upper class.
The first rock bands in Latin America were created in the late 1950s with Los Llopis and Los Teen Tops achieving some success covering American rock classics during the early 1960s. The Spanish scene received some influences of non-English-speaking countries with the Yé-yé style as could be seen with Raphael. In the early 1960s, those styles of commercial rock music were nicknamed Nueva ola (New wave) in some South American countries to refer the bands that adopted the American and European styles.
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