Galatea (; Greek: Γαλάτεια; "she who is milk-white") is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came...
Galatea (; Greek: Γαλάτεια; "she who is milk-white") is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life in Greek mythology. In modern English, the name usually alludes to that story.
Galatea is also the name of Polyphemus's object of desire in Theocritus's Idylls VI and XI and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's Metamorphoses.
VS
Siren (mythology)
In Greek mythology, the Sirens (Greek singular: Σειρήν, Seirḗn; Greek plural: Σειρῆνες, Seirênes) were dangerous creatures, who lured nearby sailors w...
In Greek mythology, the Sirens (Greek singular: Σειρήν, Seirḗn; Greek plural: Σειρῆνες, Seirênes) were dangerous creatures, who lured nearby sailors with their enchanting music and singing voices to shipwreck on the rocky coast of their island. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.
According to the Greek Neoplatonist philosopher Proclus, Plato said there were three kinds of Sirens: the celestial, the generative, and the purificatory / cathartic. The first were under the government of Zeus, the second under that of Poseidon, and the third of Hades. When the soul is in heaven the Sirens seek, by harmonic motion, to unite it to the divine life of the celestial host; and when in Hades, to conform the soul to eternal infernal regimen; but when on earth their only job to "produce generation, of which the sea is emblematic".
Comments (0)
No comments yet. Be the first to share your thoughts!